Who am I?
Art and Design Unit
Mirror, mirror on the wall….
This unit aims to foster self-awareness in pupils in terms of who they are as individuals and as family members. It also encourages pupils to be aware of how others perceive them.
Key Questions:
- How do I see others?
- How do I see myself?
- What could my portrait tell others about me?
- How did my feelings/mood influence my finished piece?
| Developing Pupils’ Thinking Skills and Personal Capabilities | Developing Pupils’ Knowledge, Understanding and Skills |
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How do I see others? |
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| Learning Intentions Pupils are learning … |
Possible Learning, Teaching and Assessment Activities |
…to appreciate and discuss critically the work of artists, designers and craft workers from their own and other cultures.
…to appreciate and discuss critically the work of artists, designers and craft workers from their own and other cultures. |
Research
Work begins by collecting examples of existing practice to start discussion about the representation of identities and belonging. Images could be researched during a visit to a gallery, or by using an online resource. Pupils visit a gallery. Choose an exhibition or show which complements the theme of Personal Understanding, and in particular, sense of identity. Alternatively, pupils could use an online gallery resource such as www.tate.org.uk and use the subject search facility to locate images on the theme of family, or people (subsection family in the Tate search categories). As there is such a large range of images available, it will be useful to visit the site in advance. By pre-selecting a range of images appropriate to the preferred focus, pupils can be directed to profitable lines of enquiry. Select a broad range of examples from the eighteenth century or before, to contemporary practice featuring male and female practitioners. Include a variety of media and approaches, for example, sculpture, painting, photography, drawing, printmaking etc. Discussion Pupils research a variety of portraits that show different approaches (such as painting and sculpture) and methods (such as watercolour or oils). Discussion could be centred on the use of form, colour and content and how these have been used to embody what the artist was trying to convey. Different approaches can be the focus for a ‘compare and contrast’ exercise. Three strategies for structuring and guiding discussion are given below. Each strategy could be used on its own, or a variety of methods could be used sequentially. Questioning The following questions are useful to promote discussion:
Pupils should make their own comments and opinions about one or more works selected from the material encountered. They should choose an image they react strongly to and describe what it is about the image that they like or dislike. This can be done as a verbal response given in the form of personal feedback to the class. |
…to develop observational skills and awareness of the use of different media.
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Classifying Developing a subject vocabulary is essential for learning in Art and Design. The following categories can be used to encourage talking about cultural artefacts and the ways these can symbolise identity and belonging:
Developing Critical Vocabulary Using a critical vocabulary developed through discussion and reflection which has been guided or structured in this way, pupils can describe their own and others’ work with increasing complexity and sophistication. Descriptions can be given as oral responses made to the class or within smaller groups and may refer to the following areas: Materials : Why were particular materials or media chosen? |
…to use information to influence own thinking.
… to develop self-awareness/self-image, and to build self-esteem. Being Creative |
Apply thoughts and reflections from discussion process to planning responses for practical work. Having looked in general at the representation of people and character in a range of artworks, discuss with pupils the idea of self-image and personal and group identities. Ask questions such as:
Focus on the unique qualities of a portrait. Think of how these show various interpretations of self. Look at a range of traditional and contemporary portraits, discuss with students how the artist has established the character/spirit of the person through the material and processes used. Look at the work of artists who use personal memorabilia in their work to explore issues of identity, such as Dorothy Cross, Peter Blake, Christian Boltanski, Andrea Finn, Christine Wilkinson. Working in pairs, discuss with pupils how they would represent each other. How do they see their partner? How would they represent their partner in words/images? (Only positive responses allowed!) Re-apply the considerations given to the character and appearance of their partner to themselves. Can you be as objective or realistic about yourself as someone else is? What aspects of personal identity would you choose to focus on when making a representation of yourself? What do you want to show or conceal? Would it be a self-portrait, or are there other ways to show things about yourself, your character, feelings and experiences that would be equally or more meaningful than a straightforward portrait? What could these be, and how could you realise your suggestions as an image, a picture, a sculpture or other visual outcome? What materials would you choose, or what processes and techniques would be best suited to your idea?
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How do I see myself? |
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| Learning Intentions Pupils are learning … |
Possible Learning, Teaching and Assessment Activities |
… to communicate self-awareness by integrating various ideas and media.
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Ask the students to gather images of themselves (drawn images, digital images, painted portraits). Pupils should pick six or more images and use these to create their own visual life story. Alternatively use memorabilia to encourage a contemporary and innovative portraiture approach. |
| …to experiment with different designs and media. Being Creative |
Ask the students to make observational studies of each other using drawing medi a. Encourage them to include objects or representations of activities that symbolise their interests. |
What could my portrait tell others about me? |
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| Learning Intentions Pupils are learning … |
Possible Learning, Teaching and Assessment Activities |
… to evaluate their own work and to make any necessary modifications or improvements. … to heighten awareness of audience and purpose. |
Display Ask the pupils to identify a location within the classroom or school environment to use as a gallery space in which to exhibit their work. Working in groups or in pairs, pupils present their visual work in the allocated space. Pupils review the display as a whole, using vocabulary developed in the earlier stages. In pairs, pupils review their own contributions to the group display, considering, for example, how powerfully does their work project a sense of self to others? |
How did my feelings/mood influence my finished piece? |
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| Learning Intentions: Pupils are learning… |
Possible Learning, Teaching and Assessment Activities |
| …to discuss, compare and evaluate the development of their ideas and meaning in their work, using appropriate vocabulary. | Through discussion, ask the pupils to relate what they have studied about other artists in relation to their own work. How have they applied the considerations of self, identity, family, interests and experiences, to planning and making their own work? Did their approach use anything from the examples researched and discussed in class? How successful was their choice of medium and how well did they handle the making of the image? Did anything unexpected occur? How does their exhibition compare to the material encountered in the on-line gallery? Record responses as self-evaluation in workbook or sketchbook or as part of an online portfolio of evidence. |
| Development of Learning Outcomes | |
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| Links with Key Elements | Links with Learning for Life and Work |
Personal Understanding. Mutual Understanding Spiritual Awareness Citizenship Cultural Understanding Media Awareness. |
Personal Development Home Economics Key Concept - Home and Family Life |